Gaming Game Play & Streaming The 5 Most Cinematic PlayStation Games by Brian Tallerico Writer Brian Tallerico is a former freelance contributor to Lifewire who focused on games and gaming. He is also an A&E writer who focuses on TV and movies. our editorial process Twitter Brian Tallerico Updated on June 24, 2019 Game Play & Streaming Consoles & PCs Cheats & Codes Gaming Services Game Play & Streaming Mobile Gaming Tweet Share Email Films like "Silent Hill" and "Resident Evil" have attempted to take video game worlds that feel inherently cinematic in their storytelling structure and gameplay and make them as entertaining on celluloid as they are on-disc. To varying degrees, they all fail. Why? Because video games are themselves often wonderfully cinematic, tapping many of the same emotions and adrenalin buttons as why we go to the movies. The kind of fun that people have at Marvel's Ant-Man or Pacific Rim or even Furious 7 isn't too distinct from the enjoyment they get from video games. And, conversely, there have been fantastic video games that play like movies. Which ones are the best? Which games play like multi-hour movies that you just happen to control? Here are the five most cinematic games that you could play on the PlayStation 3. 01 of 05 God of War III Sony What We Like Multiple difficulty settings allow you to play at your own pace. Epic story that involves fighting ancient Greek gods. What We Don't Like Intense violence and gore make this game not for the faint of heart. Combat starts to feel repetitive by the end. How cinematic is the fantastic God of War III? It's success worked in the opposite direction, influencing films more than cinema influenced it. Do you think it coincidental that we suffered through films like Clash of the Titans and The Immortals after the God of War trilogy came to its inspired conclusion? Yes, the impact of Zack Snyder's "00 on this shirtless men subgenre can't be understated but it's impossible to watch a movie like Wrath of the Titans and not think of Kratos. The God of War games, part three, in particular, have the pace and rhythm that we desire from fantasy/action movies but so rarely get. And they have one of the most memorable protagonists of the PS3 era. When the book is written on video games in the new century, Kratos will get his own chapter. He might even get two... 02 of 05 Heavy Rain Terry Ross/Flickr What We Like The story is silly but fun. Quick time events are well integrated into gameplay. What We Don't Like The voice acting is pretty hokey. The controls are very clunky. The most purposefully cinematic of all video games is also one of the most essential games of the PS3 generation. In their effort to put you in the middle of an emotionally-powered mystery, the developers of Heavy Rain work with many of the same tools as screenwriters or purveyors of great literature. Heavy Rain is more than a game; it is storytelling at its finest, bringing you into its world often through some of the most casual dynamics. Play with your kids in the backyard and their fate will be more important to you, such as when filmmakers offer character development in the first act that pays off with emotion in the final one. Few games have been as impressively crafted in terms of narrative as Heavy Rain. It was too long for a standard film but the producers of this could have turned it into a mini-series or novel more than any other game of the generation. 03 of 05 The Last of Us Néstor Carvajal/Flickr What We Like Exceptional writing and voice acting. Impressive enemy and ally AI. What We Don't Like The story and zombie designs aren't all original. Some of the enemies are frustrating to deal with. This one must be qualified. Some of the genius of the best game of 2013 is in how much it connects the player emotionally with the saga of Joel and Ellie in ways that film cannot. And yet one of the first elements of Naughty Dog's masterpiece that comes to mind when considering this game is that introduction and there may be no twenty minutes of gameplay that's more cinematic than the prologue to The Last of Us. It sets a tone the way a great screenwriter does with his first act, defines the world in which the game will take place, and emotionally connects with the gamer in ways not dissimilar from Hollywood. Throughout The Last of Us, we're actually reminded of what doesn't work about so many Hollywood horror movies, films that lack the connection we have to Joel and Ellie. 04 of 05 Mass Effect Trilogy JBLivin/Flickr What We Like Massive amount of player choices makes each game highly replayable. Character progression and combat system gets better with each entry. What We Don't Like Like a lot of trilogies, the ending is somewhat lackluster. The controls in the first game are kind of awkward. Cheating? We don't care. And like the sense of authorship in The Last of Us, the arc of the Mass Effect games are incredibly reliant on the personal decisions you make within this incredibly well-crafted universe (although, one could argue that the controversial ending's point was to make clear that the impression of authorship in anything in this world was mere illusion). However, ignoring authorship and the most button-pushing ending ever, the Mass Effect games, part two in particular (which is the Empire Strikes Back of this coveted trilogy), have an amazing cinematic quality in their very presentation. The dialogue is crisper than most sci-fi movies, the characters are more well-defined, and the settings are more intricate. These games aren't like most sci-fi movies; they're better than most sci-fi movies. 05 of 05 Uncharted 3: Drake's Deception dalvenjah/Flickr What We Like Breathtaking visual presentation and original score. Multiplayer mode adds new depth to the franchise. What We Don't Like Puzzles are significantly easier than those in the older games. Aiming controls take some getting used to. One of the best games of the PS3 generation is the Indiana Jones sequel we all wanted when Crystal Skull was first announced. Jumping out of planes, escaping sinking ships, traveling the world, Uncharted 3 is a masterpiece of adventure, the kind of storytelling that isn't just reminiscent of Spielberg's films with Harrison Ford but the serial stories that inspired Indy in the first place. It is a game that becomes more than just a series of button and control stick movements. It puts you in the worn shoes of a fantastic protagonist and then pulls you along on an adventure that would make any blockbuster proud. Take the best two hours of Uncharted 3 and release it in theaters this summer and it's a smash hit.